NEW BOOK “WRITING SONGS IN THE STREAMING AGE” REVEALS HOW MUSIC STREAMING IS CHANGING THE WAY SONGS ARE WRITTEN TODAY

November 14, 2022

Music streaming is having a profound impact on songwriting and song structure

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Songwriters who want to get more plays on Spotify and other streaming platforms need to rethink their approach to songwriting and song structure to meet the needs of streaming audiences. Spoiled-for-choice streaming listeners are increasingly likely to ‘click and skip’ to the next track if a song doesn’t grab them in the first 20 seconds.

These are two of the key messages from a new book titled: Writing Songs in the Streaming Age – 40 Mistakes to Avoid If You Want to Get More Streams. The book aims to help new songwriters to create more streaming-friendly songs.

“Streaming has not only revolutionised the way people consume music, it is also transforming the way songs are being written and recorded,” says the book’s author Brian Oliver, an experienced music publisher. “Streaming is changing the whole methodology of songwriting. Successful streaming now requires a different type of song.”

Writing Songs in the Streaming Age takes a close look at how the global dominance of music streaming is having a far-reaching impact on songwriting and the structure of songs. It reveals how songs that connect in the streaming world are no longer the same as songs that work on traditional media, such as radio.

“Songwriters are facing a period of great change,” Oliver warns. “To succeed in the highly competitive streaming marketplace, creators need to adapt to the new songwriting conventions that are emerging in this algorithm-driven musical environment.”

Oliver says song structures that have been at the heart of hit songs for over 60 years are now being replaced by a song form that has one overriding objective: Keep streaming audiences listening for at least the first 30 seconds—otherwise a play won’t count as a stream…. the song may be downgraded on the streaming service’s database….and nobody gets paid.

With more songs now being designed to please the streaming companies’ algorithms, Writing Songs in the Streaming Age aims to help provide a better understanding of the changing building blocks of song structure in the streaming age. It’s an era in which the verse has gained a new importance because ‘click and skip’ streaming listeners don’t always stick around for the chorus.

The book examines the essential elements that are consistently found in the construction, melodies and lyrics of the biggest streaming hits. Crucially, it highlights the most common errors made when these key components are built into a song. In doing so, it aims to help new and aspiring songwriters avoid such mistakes in their own songs.

The book provides 40 insightful tips, including:

– treat a verse more like a chorus

– don’t make a song too long for streaming

– choose the right tempo for streaming listeners

There’s also a comprehensive Checklist designed to help new songwriters overcome the most frequent mistakes that are made when trying to write streaming-friendly songs.

Writing Songs in the Streaming Age – 40 Mistakes to Avoid If You Want to Get More Streams is now available from Amazon as a paperback and eBook in all territories, and also from leading eBook retailers such as Apple Books, Kobo and Barnes & Noble.

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WRITING SONGS IN THE STREAMING AGE FRONT COVER - BLACK TEXT

WRITING SONGS IN THE STREAMING AGE – 40 MISTAKES TO AVOID IF YOU WANT TO GET MORE STREAMS is available from Amazon as a US paperback, a UK paperback, a Canada paperback, an Australia paperback, and across Europe.

It is also available as an eBook from Amazon’s Kindle store in the United States, Canada, the UK, Australia, and across Europe—as well as Apple Books, Barnes & Noble and Rakuten’s KoboBooks.

Read a FREE SAMPLE of the book HERE (USA)HERE (UK)HERE (CANADA)… and HERE (AUSTRALIA).

Hundreds of iconic items of rare music memorabilia to go under the hammer in unique online auction for The Stuart Watson Collection

November 10, 2020

Items in The Stuart Watson Collection range from rare autographs, such as an Elvis Presley-signed 1950s army postcard, to a signed Tom Petty guitar and a Bob Dylan backstage pass …

Over 350 items of rare music memorabilia from the past six decades are set to go under the hammer in a unique international online auction which begins next week. Participants will have until 1pm (UTC/GMT) on Sunday, January 17, 2021 to submit a bid.

The exclusive collection includes rare items from some 90 inductees of the Rock and Roll Hall of Fame, including rock ‘n’ roll pioneers Elvis Presley, Buddy Holly, Bill Haley and Eddie Cochran. It also features prominent stars from music genres such as American heavy rock, soft rock, progressive rock, British Invasion, British blues, Beat Groups of the 1960s, British heavy metal, British punk rock, American crooners, and folk music of the 1960s and 1970s.

The unique collection is owned by music industry veteran Stuart Watson whose long career as a senior record company executive with Harvest/EMI, MCA/Universal and Jive/Zomba meant he worked closely with many of the iconic artists featured in the collection – including The Eagles, Queen, Pink Floyd, Tom Petty, Paul McCartney, B.B. King, Britney Spears, Kate Bush and Lynyrd Skynyrd.

Music fans, collectors and investors will be able to bid online for hundreds of exceptional items from The Stuart Watson Collection, including:

  • An extremely rare Sex Pistols US promotion disc from 1977, autographed by the band during their ill-fated last tour of America.
  • A 1972 copy of The Eagles’ self-titled debut album signed by the four original members – framed with a ticket and stage photo from the group’s first-ever show outside the United States (in London).
  • An autograph book page signed by all four Beatles in April 1963, mounted and framed with a copy of Meet The Beatles – the Fab Four’s first US LP on Capitol Records.
  • An extremely rare set of Led Zeppelin autographs – framed with the programme from their breakthrough British performance at the Bath Festival of Blues in 1969, and an early vinyl pressing of their debut album (with orange lettering).
  • A postcard signed by Elvis Presley when he was stationed in Germany with the US Army in the late 1950s.
  • A three-set collage of the American “Originators” (including Little Richard, Chuck Berry, Bo Diddley, Duane Eddy, Fats Domino. Carl Perkins, Gene Vincent and Bill Haley) who were all to influence the future of British rock music.
  • A black and white magazine poster signed by all five original members of The Rolling Stones – framed with a vinyl copy of their first US LP and a vintage 1965 concert programme.
  • Queen’s first-ever EMI publicity photo (approved for on tour usage by Stuart Watson himself as an EMI promotions man) and signed off by the band.
  • A February 1958 Coral Records promotional postcard for Buddy Holly and The Crickets’ LP The Chirping Crickets, signed by Buddy Holly, Jerry Allison and Joe Mauldin.
  • An Eddie Cochran signed autograph book page from October 1959, mounted and framed with a black and white photo of Eddie.
  • A rare black and white photo of New Order signed by the band.

Other highlights from the collection include:

  • Queen‘s first-ever Silver disc (for Queen II) presented personally to Stuart Watson by Freddie Mercury.
  • A mounted and framed colour photograph of Amy Winehouse signed by Amy shortly before her death.
  • The second of only 250 copies of a limited-edition B.B. King poster, signed by the guitarist and presented to Stuart Watson as a personal gift from B.B. King himself.
  • A Leonard Cohen limited-edition water-colour painting (one of only 200 copies). It is signed by Cohen and given to Stuart Watson by Cohen’s manager as a birthday gift.
  • A mounted and framed David Bowie photograph from 1973, with an extremely rare full-name signature (in the early 1970s he usually signed as just “Bowie”).

Many pieces from the collection can be purchased individually, while others are offered in over 25 themed “bundles” of closely related items. Bundled items cover categories such as:

  • The Beatles
  • The Rolling Stones
  • Pink Floyd
  • American Heavy Rock
  • American Soft Rock
  • British Beat Groups of the 1960s
  • British Progressive Rock Groups of the 1960s and 1970s
  • American Songstresses
  • American Crooners
  • British Heavy Metal
  • Punk Rock in Britain in the 1970s
  • The Roots of British Blues
  • California Dreaming in the 1960s and 1970s
  • American Originators of Rock n’ Roll (1954-1959)
  • British Folk music of the 1960s and 1970s

Full details of all items are available on The Stuart Watson Collection website at:

https://thestuartwatsoncollection.com/.

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SURPRISING RHYMING FOR SONGWRITERS – A new kind of rhyming dictionary launched to make it easier for songwriters to find unique rhymes and avoid clichés …

May 21, 2018

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With more new songs being written every week than ever before, songwriters are finding it harder to sound original and find rhymes and phrases that have not already been used. As singer-songwriter Ed Sheeran recently remarked: “The most difficult thing to do with writing a song is finding a phrase that you haven’t heard before.”

Now, a new kind of rhyming dictionary—titled Surprising Rhyming—aims to make it easier for writers to avoid clichés and craft rhymes that people may not have heard before.

Built on the findings of an in-depth study of the kind of ingenious rhymes used by some of the world’s greatest songwriters and lyricists, Surprising Rhyming offers an astonishing array of thousands of alternative rhyme options. It contains rhyme types that are much broader than those found in traditional rhyming dictionaries which tend to show only ‘perfect’ or ‘true’ rhymes.

Using too many perfect rhymes can sometimes make a lyric or a poem sound tedious and predictable—and prone to clichés. To avoid this, Surprising Rhyming focuses instead on off-the-wall false-rhymes, half-rhymes, slant-rhymes and near-rhymes that are less predictable than exact rhymes—and therefore more likely to surprise an audience.

The book also includes many new words that have been added to standard dictionaries in recent years.

The thousands of ‘surprising’ rhymes crammed into Surprising Rhyming’s 624 pages are based on analyses of the unconventional ‘imperfect’ rhymes that have been used by influential songwriters and lyricists such as: Chuck Berry, David Bowie, Sara Bareilles, James Bay, Leonard Cohen, Bob Dylan, Sia Furler, Hozier, Jay-Z, Billy Joel, Carole King, Michael Kiwanuka, John Lennon, Lorde, John Mayer, Joni Mitchell, Paul McCartney, Van Morrison, Bonnie McKee, Randy Newman, Dolly Parton, Christina Perri, Katy Perry, Ed Sheeran, Paul Simon, Stephen Sondheim, Taylor Swift, Cat Stevens, Bernie Taupin, James Taylor, Jimmy Webb, Lucinda Williams, Stevie Wonder … and many more.

The concept of the book was inspired by a remark made by Stephen Sondheim, the legendary Broadway composer and lyricist. In a PBS News Hour interview, Sondheim described how people’s ears have come to expect certain rhymes and suggested that writers should try to fool their audience by coming up with rhymes that will take listeners by surprise.

The ‘surprising’ rhymes listed in this book are typically formed by words with similar but not identical sounds (such as rain/blame or day/late) rather than the more predictable ‘perfect’ rhymes found in traditional rhyming dictionaries (like rain/pain or day/stay).

Surprising Rhyming is a new kind of rhyming dictionary that encourages writers to be more adventurous in their approach to rhyming,” explained the book’s creator and editor, Brian Oliver, author of the five-star rated book How [Not] to Write a Hit Song! 101 Common Mistakes to Avoid If You Want Songwriting Success.

He said: “Many of the cleverest perfect rhymes have been used so many times over the years that they’ve now become tired clichés and writers are struggling to find rhymes or phrases that haven’t been heard before. Surprising Rhyming is designed to enable writers to challenge themselves and make their rhymes bolder and more original … and less predictable.”

The book is laid out clearly to make it quick and easy to find the perfect word to achieve a memorable rhyme. There are separate sections for one-, two-, three- and four-syllable rhymes, along with many useful tips on rhyming.

Surprising Rhyming is available as a paperback from Amazon in the United States, the United Kingdom and Europe.

Read a FREE sample of the book HERE (United States) and HERE (United Kingdom).

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LYRIC WRITING TIPS: 40 Most Common Lyric Writing Mistakes Revealed in New Songwriting Tips Book, “How [Not] To Write Great Lyrics!”

August 24, 2016

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A new book titled “How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” aims to help aspiring songwriters steer clear of the many traps they can easily fall into when writing lyrics for their songs.

Written by experienced music publisher and music consultant Brian Oliver, the book takes a close look at the essential lyrical elements that are consistently found in the structure of all hit songs.

It highlights the most common errors that are made when these key components are built into a song, and shows writers who are just starting out how to avoid such mistakes in their own lyrics.

This new book is the follow-up to Brian Oliver’s five-star rated title: “How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success”.

Written in an easy, non-technical style, “How [Not] To Write Great Lyrics!” identifies many frequent causes of lyrical shortcomings—from common mistakes in the basic construction of song lyrics … to making flawed choices with titles, opening lines, lyrical hooks, verb selection, rhyming patterns, and more.

The book also highlights other causes of lyric writing problems—such as having the wrong mental attitude, not paying enough attention to ‘creative preparation’, and not taking steps to avoid writer’s block.

“How [Not] To Write Great Lyrics!” includes important tips on fixing and strengthening lyrics, along with a comprehensive checklist of more than 100 potential hazards that writers can measure their own lyrics against—no matter how ‘finished’ they think their songs are.

Most songwriters have, at some stage, had to endure the disappointment of having their songs rejected and ended up asking: “Could I have done more to make my songs better?”. This book aims to help writers recognise weaknesses in their lyrics, so that they can re-work them, make them stronger, and hopefully achieve the breakthrough they’re striving for.

The book’s author Brian Oliver—who has worked with legendary songwriters such as Neil Diamond, Janis Ian, Albert Hammond and Gilbert O’Sullivan—warns that aspiring writers’ chances of success could be hampered if they fail to spend enough time polishing and editing their lyrics and eradicating weaknesses.

Says Oliver: “When a new lyric idea suddenly hits you – and everything comes together so quickly that the song almost writes itself – it’s very easy to fall into the trap of rushing straight into a studio and recording a demo. You then confidently submit the song to a music company believing it’s the best thing you’ve ever written – only to suffer the agony of having the song rejected.

“Sometimes it’s better just to slow down, take a step back, and re-examine each element of your new lyrics,” he says. “If you don’t spend a little more time polishing your lyrics, there is a danger that they may still contain weaknesses that you failed to spot first time around.”

“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is now available from Amazon, Barnes & Noble and other good book stores as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Book Store, Barnes & Noble’s Nook store, and Kobo Books.

You can read a FREE sample of the book HERE (USA) and HERE (UK).

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Adele reveals new song co-written with Tobias Jesso Jr.

November 17, 2015

ADELEAdele has unveiled a brand new song—titled ‘When We Were Young’—which was co-written with Canadian singer-songwriter Tobias Jesso Jr. The song is taken from Adele’s new album, 25, which is available from November 20.

Jesso’s music has been compared to singer-songwriters of the 1960s and 1970s such as Randy Newman, Harry Nilsson and Emitt Rhodes.

Commenting on teaming up with the 30-year-old Canadian, Adele said: “I loved Tobias Jesso Jr’s song ‘Hollywood’ and I reached out to him when I was working on 25. I say I reached out… I got my manager to contact his manager. I’m pretty behind on social networking culture, I’d have no idea how to do it. Also I didn’t want to ask and have him say, “Absolutely not, I think you’re shit.” At least if my manager asks, he can absorb the rejection and just never tell me. Anyway, he was well up for it.”

And here’s the stunning result of their collaboration…

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GILBERT'S GIFT FRONT COVER - FINALInspired by real events, “Gilbert’s Gift”  tells the story of Gilbert Shilling—a rock star back in the Swinging Sixties—who becomes a living lung donor to save the life of a dying boy he has never met.

“Gilbert’s Gift” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Fiction & Literature/Brian Will Oliver), Barnes & Noble’s Nook Store, and from KoboBooks.

You can read a FREE sample of “Gilbert’s Gift” HERE (USA) or HERE (UK).

The Beatles release newly-restored videos for ‘Penny Lane’ and ‘We Can Work It Out’

November 7, 2015

The Beatles 1+ collectionThe Beatles’ updated and expanded version of their best-of collection, The Beatles 1, has just been released in a variety of formats.

The deluxe version (known as The Beatles 1+) includes a DVD or Blu-Ray of newly-restored videos for all of the songs featured on the original album.

According to Apple Corps, an 18-person team of film and video technicians and restoration artists spent months undertaking painstaking frame-by-frame cleaning, colour-grading, digital enhancement and new edits for the videos.

After the videos for ‘Revolution’ and ‘A Day in the Life’ were recently made available to the public for the first time, this week sees the release of the newly-restored videos for ‘Penny Lane’ and ‘We Can Work It Out’ …

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GILBERT'S GIFT FRONT COVER - FINAL

Inspired by real events, “Gilbert’s Gift”  tells the story of Gilbert Shilling—a rock star back in the Swinging Sixties—who becomes a living lung donor to save the life of a dying boy he has never met.

“Gilbert’s Gift” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Fiction & Literature/Brian Will Oliver), Barnes & Noble’s Nook Store, and from KoboBooks.

You can read a FREE sample of “Gilbert’s Gift” HERE (USA) or HERE (UK).

The Who’s ‘Quadrophenia’ to be launched as a fully immersive cinematic experience

November 3, 2015

QuadropheniaThe movie classic Quadrophenia – based on The Who’s 1973 double-album rock opera – is set to become a fully immersive cinematic and theatrical experience which, the producers claim, will “plunge fans into the sights and sounds of 1964 and capture the spirit of the era”.

Many of the film’s key stars will be taking part in the event which will be staged at London’s Eventim Apollo in Hammersmith on 11 February 2016. Joining Phil Daniels – who played the central role of disaffected Mod teenager Jimmy Cooper – will be Toyah Wilcox, Trevor Laird, Garry Cooper and Daniel Peacock. The stars will add an extra dimension to the event by sharing their memories in a special Q&A.

As well as a screening of the 1979 film and the Q&A session, there will be staged re-enactments throughout the night of scenes from the film to conjure up the feel of the mid-60s era in which it is set. The all-important sounds of the day will be performed live by leading Who tribute act Who’s Who, and there will also be a display of Sixties memorabilia (including original Vespas and their real life Mod owners).

Director Franc Roddam’s film is seen as a classic tale of alienation, disillusionment and escapism, as well as an important document capturing an important part of British youth history and rebellion. Watching the movie has been a rite of passage for millions since its release and the Mod era has been a source of fascination for generations, with its fashions and music continuing to resonate today.

Quadrophenia reflected the real-life situation of the day as partisan teenagers in fish-tails and leathers sought excitement through large scale scuffles when Mods and Rockers clashed at British seaside resorts.

Rolling Stone magazine has ranked the two-hour film as one of the top ten rock and roll movies of all time. The soundtrack featured many of The Who’s songs from the original Quadrophenia album, including tracks such as ‘5.15’.

Tickets for the immersive live performance are available from 9am on Friday 6 November at http://www.eventimapollo.com and http://www.axs.com. Standard ticket prices range from £30 to £43. VIP tickets £69.50.

Here’s The Who’s video for ‘5.15’ …

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GILBERT'S GIFT FRONT COVER - FINAL

Inspired by real events, “Gilbert’s Gift”  tells the story of Gilbert Shilling—a rock star back in the Swinging Sixties—who becomes a living lung donor to save the life of a dying boy he has never met.

“Gilbert’s Gift” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Fiction & Literature/Brian Will Oliver), Barnes & Noble’s Nook Store, and from KoboBooks.

You can read a FREE sample of “Gilbert’s Gift” HERE (USA) or HERE (UK).

The Beatles reveal previously unseen 1968 promo video for ‘Revolution’

October 22, 2015

Photo: Apple Corps.

Photo: Apple Corps.

Apple Corps is set to release an updated version of the Beatles’ White Album on November 6 along with a DVD of performances of the songs from the original album.

The DVD will include a previously unseen promotional video of the John Lennon song ‘Revolution’ which was the B-side of ‘Hey Jude’, released in August 1968 (you can watch the video below).

‘Revolution’ was inspired by the many political protests in early 1968. Two versions of the song were recorded: a hard rock version (the one heard on the B-side of ‘Hey Jude’) and a slower, bluesy arrangement (titled ‘Revolution 1′) for the Beatles’ self-titled double album, commonly known as the ‘White Album’.

Although the single version was issued first, it was recorded several weeks after ‘Revolution 1’ as a re-make and was specifically intended for release as a single. A third connected piece, written by Lennon, is the experimental track ‘Revolution 9’, which evolved from an unused, spoken-word portion of ‘Revolution 1’. It also appears on the White Album.

Producer George Martin said the record was able to get its distinctive distorted sound by plugging the amps directly into the Abbey Road recording desk and pushing the volume into the red. “We got into distortion on that, which we had a lot of complaints from the technical people about,” said Martin. “But that was the idea. It was John’s song and the idea was to push it right to the limit. Well, we went to the limit and beyond.”

Filming for promotional clips of ‘Hey Jude’ and ‘Revolution’ took place on September 4, 1968 at Twickenham Film Studios in England, under the direction of Michael Lindsay-Hogg. Two finished clips of ‘Revolution’ were produced, with only lighting differences and other minor variations. The Beatles sang the vocals live over the pre-recorded instrumental track from the single version.

Here’s the previously unseen video of ‘Revolution’ …

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GILBERT'S GIFT FRONT COVER - FINALInspired by real events, “Gilbert’s Gift”  tells the story of Gilbert Shilling—a rock star back in the Swinging Sixties—who becomes a living lung donor to save the life of a dying boy he has never met.

“Gilbert’s Gift” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Fiction & Literature/Brian Will Oliver), Barnes & Noble’s Nook Store, and from KoboBooks.

You can read a FREE sample of “Gilbert’s Gift” HERE (USA) or HERE (UK).

The Kinks launch double CD featuring original versions of songs from hit musical ‘Sunny Afternoon’

October 16, 2015

THE KINKSUnion Square Music has launched a new double-CD compilation which features the original versions of the Kinks classics performed in the award-winning stage musical Sunny Afternoon. All the tracks were specially selected by The Kinks’ Ray Davies. 

The musical Sunny Afternoon – named after The Kinks’ 1966 hit – uses songs by the band to tell the story of Ray Davies’s early life as well as the rise of the band he founded with his brother Dave in 1964. The musical has won four Olivier Awards.

Titled Sunny Afternoon – The Very Best of The Kinks, the new compilation contains nine of The Kinks’ UK Top Five hit singles, including three Number Ones. It features tracks such as ‘You Really Got Me’, ‘Waterloo Sunset’, ‘Sunny Afternoon’, and ‘Lola’. It also includes Kinks interviews and session tracks from the BBC’s archives.

The Kinks’ influence is now seen across a wide range of rock acts, such as The Who, Bruce Springsteen, The Jam, The Pretenders, Tom Petty, XTC and Elvis Costello – all of whom have paid homage to The Kinks at some point in covers or accolades.

The Who’s Pete Townshend was particularly influenced by the group’s sound: “Dave Davies was a real innovator and Ray was a gobsmacking genius,” he once remarked. “I desperately hope they work together again.”

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GILBERT'S GIFT FRONT COVER - FINAL

Inspired by real events, “Gilbert’s Gift” tells the story of Gilbert Shilling—a rock star back in the Swinging Sixties—who becomes a living lung donor to save the life of a dying boy he has never met.

“Gilbert’s Gift” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Fiction & Literature/Brian Will Oliver), Barnes & Noble’s Nook Store, and from KoboBooks.

You can read a FREE sample of “Gilbert’s Gift” HERE (USA) or HERE (UK).

Les Paul centenary marked with Gibson Les Paul Award at Q Magazine Awards

October 15, 2015

Les Paul 2008

With this year marking the 100th anniversary of the birth of guitar legend Les Paul, guitar manufacturer Gibson is partnering with Q Magazine to present the Gibson Les Paul Award as part of this year’s Q Awards, which take place on October 19 in London.

The iconic Gibson Les Paul guitar is one of the most famous instruments in rock history and the Gibson Les Paul Award is presented to specially recognise guitar playing and innovation.

Les Paul is named as one of Rolling Stone magazine’s 100 Greatest Guitarists of all time. His innovative talents extended into his playing style – including licks, trills, chording sequences, fretting techniques and timing – which set him apart from his contemporaries and continue to inspire many guitarists today.

During his career he received 36 Gold records, eleven No.1 hits and several Grammy awards, among many other accolades. He was also a pioneer in the development of multi-track recording, over-dubbing and numerous other recording techniques.

Henry Juszkiewicz, Gibson CEO and chairman said: “We’re delighted to be partnering again with Bauer Media and Q Magazine as a supporter of this year’s Q Awards. The Gibson Les Paul Award, salutes innovation, artistry and inspiration in guitar playing and holds even greater prestige in 2015, as we celebrate the 100th anniversary of the birth of Les Paul.”

(Photo: Thomas Faivre-Duboz)

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“Gilbert’s Gift” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Fiction & Literature/Brian Will Oliver), Barnes & Noble’s Nook Store, and from KoboBooks.

You can read a FREE sample of “Gilbert’s Gift” HERE (USA) or HERE (UK).